Welcome to the blog of Melanie McDonald ! I'm a professional artist, my life is divided between my home in Newquay, Cornwall and my renovation project - an 18th Century farm - in North Brittany, France. My inspiration comes from the beautiful beaches, skies and seas of Cornwall, Brittany and Scotland. This is where I share my paintings and photographs, I hope it inspires you.
Showing posts with label Scotland. Show all posts
Showing posts with label Scotland. Show all posts

June 26, 2015

Friday Painting : Colours of the Isle of Skye, Scotland

Take me somewhere I can breathe
I've got so much to see
This is where I want to be
In a place I can call mine
In a place I can call mine...

Excerpt from the song Pure Shores by All Saints from the album Saints and Sinners. 

Painting : Colours of the Isle of Skye, Scotland

I'm an artist inspired by the coast of Cornwall, Scotland and Brittany - view all of my paintings at Melanie McDonald Gallery

Join the chat with me on Twitter 
Other places to say hello Facebook  Pinterest Tumblr
  

September 19, 2014

#FridayPainting : Echoes of grey, Isle of Mull, Scotland

Every day should contain a pleasure as simple as walking on the machair or singing to the seals.

The ripples on the beach and the veins in the rocks on the mountain show the same signature.

When we climb high enough we can find patches of snow untouched by the sun, parts of the spirit still intact.

The grand landscapes impress us with their weight and scale but it is the anonymous places, a hidden glen or a stretch of water without a name, that steal the heart.

Excerpt from Riasg Buidhe - A visit to the island of Colonsay, Inner Hebrides, April 1987 by Thomas A. Clark from Tormentil and Bleached Bones (Edinburgh: Polygon,1993).


You can take a look at my paintings at - Melanie McDonald Gallery
Or come and say Hello, ask a question (love to hear from you!), and chat with me on Twitter
Like my NEW page on Facebook 

February 21, 2014

#FridayPainting : Cottage, Trotternish, Isle of Skye, Scotland

Look, stranger, on this island now
The leaping light for your delight discovers,
Stand stable here
And silent be,
That through the channels of the ear
May wander like a river
The swaying sound of the sea.

Excerpt from the poem On This Island by W. H. Auden

If you love islands, (I have a bit of an obsession with them!), and Scotland - I'm sure you'll adore this book, I finished it last night - Sea Room, An Island Life by Adam Nicolson.  It's the story of three lonely islands, (which can be viewed from the Trotternish peninsula in northern Skye, hence my painting!).  Beautifully written; rich, visual, passionate and totally addictive .... one of those books that I, truly, never wanted to end ....


More paintings of the Isle of Skye here! Please take a look.

Love to hear from you! Say hello @MelMcDonaldArt on Twitter 

January 24, 2014

#FridayPainting : Ancient footsteps by the shore, Isle of Mull, Scotland


There once stood a bothy beside the shore at an inlet of the sea, where the men and young fellows used to meet for a ceilidh on the long dark evenings, and maybe share a drop of home-made spirits from the big still in the cave that lay under the cliffs a few miles away.  Stories were told and songs were sung and time passed with fun and banter round the peat fire that was kept burning in the middle of the floor.

I've been reading Tall Tales from an Island by Peter Macnab - above is an excerpt from A Young Man's Tale - which inspired me to choose this #FridayPainting.  When you set foot on Mull, (or any of the Hebridean Islands), there's a strong sense of past generations, now lost in the mists of time.  Fireside tales 'of the old things and old ways', are preserved in the book, so that they are not lost, or forgotten, and can still be told on long winter evenings.

(p.s. If you like this painting, I have some Limited Edition Prints of Ancient footsteps by the shore, Isle of Mull, Scotland in my online shop.)  

Please say Hello @MelMcDonaldArt on Twitter or keep in touch and Like my Facebook Page for latest news and events! 

December 27, 2013

#FridayPainting : Starry, starry, night, Isle of Skye, Scotland

I love this painting because it reminds me of a time in my life when I was younger, and more carefree.

We'd camped at Staffin Bay on the Isle of Skye, (years ago, me and the Scottish man I'd met).  Our tent, pushed up against the grey rocks to shield us from the wind.  I remember the nights full of stars, we made fires and gazed towards the quiet croft.  We wondered what it would be like to live in such a magical place by the sparkling sea.

(p.s. I love my 'younger, and more carefree' days so much that I've kept this painting!).

(p.p.s. If you like this painting, I have some Limited Edition Prints of Starry, starry, night, Isle of Skye, Scotland in my online shop .  Please say Hello @MelMcDonaldArt on Twitter or keep in touch and Like my Facebook Page for latest news and events! ).

November 12, 2013

The road of life


 How many times his friends, envying him his life, had said to him: 'Your life is so simple.'  'Your life seems always to go in a straight line.'  Whenever they said the words he heard in them an implicit reproach: it is not difficult to build a straight road on a treeless plain. He felt that what they really meant to say was: 'You have chosen the easiest terrain.' But if they elected to place obstacles in their own way - and they so clearly did, encumbering themselves with every sort of unnecessary allegiance - that was no reason why they should object to his having simplified his life.  So it was with a certain annoyance that he would say: 'Everyone makes the life he wants.  Right?' as though there were nothing further to be said.

An excerpt from The Sheltering Sky by Paul Bowles - a dark, haunting adventure story of a New York couple travelling in remote north Africa after World War II.  Set against a backdrop of powerful, intensely observed desert landscape, Bowles describes this book as 'a combination of memory writing and minute descriptions of whatever place I was in at that moment'.

Here are some of my 'road' photographs - taken in the Scottish Hebrides, north west Brittany and Wales.  

Above - Road to the Cuillin Hills, Isle of Skye, Scotland
 Road to the sea, Ploumanac'h. Brittany
 Country road, Isle of Mull, Scotland
 Road on Iona, Scotland
 Road to the house between rocks, Plougrescant, Brittany
 Road home, Bretagne
 Ancient road and pigeon house, Brittany
 Dusk road, Wales
 Road (closed) to the lighthouse, Brittany
Road to Wales, U.K.


Prints of Melanie McDonald paintings in my New! Online Shop

November 08, 2012

For the love of Grey ....

She had her nose pressed up to the window pane, like she used to when she was half her age.  What's it like out there?  I asked, Oh .... It's grey, just grey, she said, dull, you know.

I can see her point, but I love grey .....

Silvery seas Rhum Scotland

Silver grey mornings with pearl skies and heartbreaking light upon the sea.

Changing weather, Camel Estuary, Cornwall

Luminous bright grey and spilt coffee coloured clouds, vivid as a memory.

Atlantic Surfers Polzeath, Cornwall

Gentle paintbox grey with the Atlantic before me.

Rock, Cornwall - shimmering light and salty air

Dove grey skies and soft salt laden light.

Morning Surfers, Polzeath, Cornwall

Mouse grey, the very colour of winter.

Fistral Beach, Newquay, Cornwall - we stood on the beach in the wild air

Woodsmoke grey, tumbling in wind blurred light.

Rivers turning to oceans, Isle of Mull, Scotland

Slate grey like a dream of the future.

Winter skies looking towards Polzeath, Cornwall

Vital grey leaving me breathless ....



NEW! NEW! NEW! Melanie McDonald online gallery shop!

Prints and Canvas Wrap Prints of the above paintings hand-made to order.

Paintings at Melanie McDonald Gallery

Join the chat with me on Twitter
Say hello on Facebook
Pin me on Pinterest
Follow my pictures on Tumblr 



October 24, 2012

I Leave This at Your Ear


It was the last poem in the book of 101 Poems To Be Heard ....

I leave this at your ear for when you wake,
A creature in its abstract cage asleep.
Your dreams blindfold you by the light they make.

The owl called from the naked-woman tree
As I came down by the Kyle farm to hear
Your house silent by the speaking sea.

I have come late but I have come before
Later with slaked steps from stone to stone
To hope to find you listening for the door.

I stand in the ticking room.  My dear, I take
A moth kiss from your breath.  The shore gulls cry.
I leave this at your ear for when you wake.

By W.S.Graham

.... I was sure it was written in the Hebrides.  Your house silent by the speaking sea.  I imagined a painting by Winifred Nicholson and a man returning to Kyle farm, kissing a sleeping child.  Turns out it was written in another far flung Celtic outpost, Penwith in west Cornwall, and it's a love poem for his enduring wife.  But W. S. Graham was a Scot through and through, born in 1 Hope Street, a Glasgow tenement.  Somehow ending up in St. Ives in the 50's, in a creative hotbed of writers and painters.

I love this poem by this Scottish Cornish man.  Its ambiguity, its magical descriptions, its strong sense of Celtic hinterlands.  Its the feeling of isolation and dislocation, you see, which speaks to me, in my room, in remote Brittany.

Clouds Gathering, Southern Skye, Scotland


Distant Hills and Crofts, Southern Skye, Scotland (above)
Lone Croft, Southern Skye, Scotland (top)
101 Poems to Be Heard by Christopher Reid available from Amazon

Prints and Canvas Wrap Prints of the above paintings hand-made to order.

Please view my collection of paintings at Melanie McDonald Gallery

Join the chat with me on Twitter
Say hello on Facebook
Pin me on Pinterest
Follow my pictures on Tumblr

April 25, 2012

Nothing but rock and sea ....

Wavey ran to get away, then for the sake of running, and at last because there was nothing else to do.  It would look undecided to change her pace, as though she did not know what she wanted.  It seemed always that she had to keep on performing pointless acts.


Quoyle lay in the heather and stared after her, watching the folds of her blue skirt erased by the gathering distance.  The aunt, the children, Wavey.  He pressed his groin against the barrens as if he were in union with the earth.  His aroused senses imbued the far scene with enormous importance.  The small figures against the vast rock with the sea beyond.  All the complex wires of life were stripped out and he could see the structure of life.  Nothing but rock and sea, the tiny figures of humans and animals against them for a brief time.


The sharpness of his gaze pierced the past.  He saw generations of Quoyles rinsed of evil by the passage of time.  He imagined the aunt buried and gone, himself old, Wavey stooped with age, his daughters in faraway lives, Herry still delighted by wooden dogs and coloured threads, a grizzled Herry who would sleep in a north room at the top of the house or in the little room under the stairs.


A sense of purity renewed, a sense of events in trembling balance flooded him.


Everything, everything seemed encrusted with portent.



Excerpt from The Shipping News by Annie Proulx

Painting: Looking out over a turquoise sea, Arisaig, Scotland



Join the chat with me on Twitter
Say hello on Facebook
Pin me on Pinterest
Follow my pictures on Tumblr


January 01, 2012

One's first-foot ....



Father’s Journal, 1970

January 1st

As I was up long before the other members of the household I carried out the old ritual of going out by the back door, and bringing in a lump of coal by the front door.  After that I did my usual daily stint of lighting the fire and making their morning tea for the sleepers!  Some showers before daylight.  Forenoon damp with intermittent smirr and hill fog.  Wind Westerly, light to moderate, at first but veered to Northwesterly in the evening.  Showers from mid-day onwards.  Afternoon and evening raw and cold.  No sunshine.  Apart from Eliz’s illness, the year just ended was a good one for us in every way.  No post tonight.

The old ritual referred to by Father is of course the Scottish New Year custom of the ‘first-foot’.  According to this custom the luck of one’s household is determined irrevocably for the whole of the coming year by the physical type of one’s first visitor in that year or, in the synecdoche of the common phrase, by one’s first-foot.  Women, children and fair-haired men are considered unlucky; the ideal first-foot is a dark, mature male.  It is better, too, that he does not come empty-handed and if he carries a piece of coal that is felt to be especially productive of good fortune. 






November 09, 2011

To live on some forgotten strip of sandy shore ....


We saw not a soul; we might have been alone in the world.  For a mile or two we went along close to the river bank and then all at once sky and sea opened before us and we crossed a broad reach and came in sight of a long, low, khaki-coloured shore.  I can see it, I can see it all, as clear as day, the white punt and that sunlit shoreline and the two of us there ....  It must have been a place where the river waters met the open sea, or perhaps it was something to do with the currents, or the tide was turning - I do not understand these things - but for a minute we were halted and held motionless on the unmoving water in the midst of a golden calm.  The burnished surface of the sea was high and heavy and smooth as metal, and a small, repeated wave gambolled like an otter along the margin of the shore.  The sun was hot.  Nothing happened. We just stayed there for that minute, poised between sea and sky, suspended somehow as if in air, no, not air, but some other, unearthly element, and it seemed to me I had never known such happiness, and never would again, though happiness is not the word, not the word at all.  That is where I would like to live, on some forgotten strip of sandy shore, with my back to the land, facing out into the limitless ocean.  That would be freedom, watching in solitude the days pass, marking the seasons, observing the spring tides and the autumn auroras, weathering the summer sun and the storms of winter.  Pure existence, pure existence and nothing else.

An excerpt from Ghosts by John Banville.  Each time I've moved house, a battered copy of this book kept coming to the top of the pile, eventually I read it .... and loved it, (.... although it is described as 'His funniest book ....' on the cover - I didn't find it remotely funny .... funny that).

Painting: Disappearing sun over Eigg, Arisaig, Scotland - Paintings of Scotland.




August 28, 2011

Across from Skye to Camusdarach.

Atmospheric skies from the ferry ... leaving Skye

Views from the road at Mallaig

Heading for the beach

Beautiful Camusdarach 

I'm not sure how this page ended up here, it was posted in August three years ago.  Is it a glitch .... or maybe a sign of good fortune?  A reminder of a beautiful time and a beautiful place ....  I'll just let it be xx

August 27, 2011

High places.

She'd always liked high places so she'd left and gone to Scotland without telling anyone. Losing her lectureship after all those years had left her heart feeling clamped and her mouth pulled down at the corners.  The agent had said no-one's going to live all the way out here, but she loved it.  It was a place where she could rest and listen to the wind blow.  When she was lonely she listened to the noise of whales calling in the Hebridean sea.  She dreamt of burning books and children's voices and drew an image of herself on the crumbling white wall.  On her horse she would follow ancient tracks for miles.  She'd started writing a novel about a lady of the city who was now the woman of the hills, like Catherine in Wuthering Heights.  Waiting for a husband, someone to listen with, to the sound of whales and the wind blowing.

Completely inspired by PJ Harvey's 'The Wind', with a nod to an English lit teacher I knew at uni, who ran away to write a book in a croft and was never heard of again.


March 17, 2011

Isle of Staffa, Scotland .... Over azure blue and turquoise seas we voyaged ....


I noticed the boy and girl as soon as I got on the boat. They were both about twenty, in love, very together. She had hennaed red hair clipped up in a messy knot, black eyeliner and a nose stud. He wore one of those odd jumpers with a large snowflake pattern on it, and had heavy sideburns like a young George Best. They were kinda cool. On the way back from the island they were missing.

Over azure blue and turquoise seas we voyaged, in the Sound of Iona. And witnessed the great lines of St. Columba's Abbey monumental in an inky blue silhouette. Passing the calcium white sand of North Beach on Iona and heading for the flat black island on the horizon. Fractured, iconic, liquid rock cooled on the edge of a vast Atlantic ocean. Basalt hexagonal columns rising out of the ocean like a modern sculpture, glinting with deep black light. I imagined the boy and girl sitting together on the narrow ledge of the cave. Fingal's laments echoing through the air. Wind whipped notes of Mendelssohn's Hebridean Overture. They watched the evening star appear in the roof arch of the cave, the lines of the great abbey misty in the distance. A special silent night. Planes all over the world had been grounded for them. A night for lovers, alone on their own island.

Other posts you might like:
A few steps to the water, Sanna Bay, Ardnamurchan, Scotland.
Starry, starry night ....

Photo featured: Looking out from Fingal's Cave, Isle of Staffa, Scotland.
Paintings of Scotland.

February 27, 2011

Isle of Mull, Scotland - Ancient footsteps by the shore ....


Excerpt from The End - a novella by Samuel Beckett.

I saw the beacons, four in all, including a lightship. I knew them well, even as a child I had known them well. It was evening, I was with my father on a height, he held my hand. I would have liked him to draw me close with a gesture of protective love, but his mind was on other things. He also taught me the names of the mountains. But to have done with these visions I also saw the lights of the buoys, the sea seemed full of them, red and green, and to my surprise even yellow. And on the slopes of the mountain, now rearing its unbroken bulk behind the town, the fires turned from gold to red, from red to gold. I knew what it was, it was the gorse burning. How often I had set a match to it myself, as a child. And hours later, back in my home, before I climbed into bed, I watched from my high window the fires I had lit. That night then, all aglow with distant fires, on sea, on land and in the sky, I drifted with the currents and the tides. I noticed that my hat was tied, with a string I suppose, to my buttonhole. I got up from my seat in the stern and a great clanking was heard. That was the chain. One end was fastened to the bow and the other round my waist. I must have pierced a hole beforehand in the floor-boards, for there I was down on my knees prying out the plug with my knife. The hole was small and the water rose slowly. It would take a good half hour, everything included, barring accidents. Back now in the stern-sheets, my legs stretched out, my back well propped against the sack stuffed with grass I used as a cushion, I swallowed my calmative. The sea, the sky, the mountains and the islands closed in and crushed me in a mighty systole, then scattered to the uttermost confines of space. The memory came faint and cold of the story I might have told, a story in the likeness of my life, I mean without the courage to end or the strength to go on.

From The End by Samuel Beckett, translated by Richard Seaver in collaboration with the author. Published by The Penguin Group of books.

Other posts you might like:
Watching the light change, towards Rhum and Eigg, Scotland.
Echoes of Grey, Scotland.

Painting featured: Ancient footsteps by the shore, Isle of Mull, Scotland.

January 25, 2011

Sanna Bay, Ardnamurchan, Scotland - waters running clear ....



The use made by crofters of the gifts of the sea merits a book in itself: seaweed for fertilizer and if need be for food; seabirds for their flesh and their eggs; driftwood for fuel and for building with; sand for fertilizer, for cement mixing and infilling and to provide a layer of insulation under bedding in byres; and of course fish. There is always the chance, too, of finding something really interesting or valuable. (For instance, there is the semi-mythical *ambergris, reputedly worth a king's ransom a lump, which all beachcombers hope for but none ever seems to find. Indeed, one wonders how many would recognize it if they did find it; I doubt if I should!) And there is the beauty, mystery and terror of the great ocean to love and to make a lifetime's study of.

The coast of Ardnamurchan is so finely toothed that it might be a topographical permutation designed to increase one's chances of obtaining these gifts; a hundred miles or so of border, were it straight, becomes a jagged thousand. One of the tinier of these inlets, near Sanna, is still called 'the butter creek' because long ago someone found a case of butter there, just drifting ashore. (Still perfectly usable, of course; the sea would keep the butter cool and fresh without penetrating it, though no doubt the outside of the block would have been pretty salty.) And a famous local anecdote concerns the discovery, on Sanna beach during World War One, of a ship's wooden deckhouse, undamaged in any way, complete with interior furnishings and with the key still in the lock.


*Ambergris is a solid, waxy, flammable substance of a dull gray or blackish color produced in the digestive system of and regurgitated by sperm whales. Ambergris has been mostly known for its use in creating perfume and fragrance much like musk. Wikipedia.

Excerpt from Night Falls On Ardnamurchan - The Twilight of a Crofting Family by Alasdair Maclean. An account of his life and that of his parents who were one of the last remaining families to be born and die in the tiny hamlet of Sanna in western Ardnamurchan, Scotland.

Published by Birlinn Limited. 2001. ISBN 1 84158 159 3

Other posts you might like:
Echoes of Grey.
Reading poetry by Sylvia Plath and thinking of my husband.

Painting featured: Waters running clear, Sanna Bay, Ardnamurchan, Scotland.

October 09, 2010

Watching the light change, towards Rhum and Eigg, Scotland.


Autumn rivals spring in being the most attractive of Highland seasons. In some moods I prefer it. The tourists have mostly gone and one may roam untrammelled, neither intruding nor being intruded on. The October weather is often among the best of the year and the landscape is at its loveliest. After the intensity of summer light, the blaze and crackle of so much positive colour, there are clouded skies once more. One may lave one's eyes with duns and russets and olives and golds and greys.

Down to the puritan marrow of my bones
There's something in this richness that I hate;
I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones,
Bare hills, cold silver on a sky of slate ...


The bustle of harvest is over and winter with its special problems and tensions is not yet. Throughout nature there is a feeling of relief, of letting go; a universal pause. The wild geese fly south, sky-wide sometimes, in huge and heart-stopping skeins, calling to each other, to us, as they go. Everything seems drenched in a gentle melancholy ....

From 'Night Falls on Ardnamurchan - The Twilight of a Crofting Family by Alasdair Maclean.


Other posts you might like:
Paintings of Scotland by Winifred Nicholson.
From Skye to Arisaig.

Painting - Watching the light change - towards Rhum and Eigg, Scotland.

Paintings of Scotland by Melanie McDonald.

August 31, 2010

Starry, starry, night.


When she arrived on that cool summer morning, walking down the driveway and turning the corner, it seemed like she was returning to a place she had known existed but had forgotten. The crumbling old farmhouse with it's languishing cow byres and barns represented a background to a film set or dreamscape dimly recalled. I know this place, she thought, I'm going to live in this house and everything in it and surrounding it will remind me of love. And included in this love will be memories of shadows of past lovers and great oak trees on my walls, and in the mirror of my sitting room and on the ceiling of my bedroom.

With a nod to Doris Lessing and her novel 'Love Again'.

Other posts you might like:
Second cancer month.
A year in Brittany, France.

Painting featured: Starry, starry, night, Isle of Skye, Scotland.

August 15, 2010

Echoes of grey.


A life packed into a suitcase. I envied her as I sat on the floor surrounded by boxes - floating in a dead sea of books, ornaments and crockery. I pictured her, a small spare lady with the same surname. In her twilight years staring out at the mountains and sky. Her life sheltering beside her in a bedside cabinet. A memoir stowed away in the drawer - wedding ring, christening shoe, small smiling family in a photo. I envied her as I wedged more stuff into an overpacked removal van.

Other post you might like:
Reading poetry by Sylvia Plath, thing about my husband.
Staffin Bay, Isle of Skye.

Painting featured: Echoes of grey, Isle of Mull, Scotland.

June 15, 2010

A few steps to the water, Sanna Bay, Ardnamurchan, Scotland.


Words. I lost them for a while there. When Scottish Husband's treatment for cancer came to an end last summer, I'd just sit and look at my blog and past entries meant nothing. My words, my thoughts meant nothing. Nothing mattered. (Well actually my painting did, but my words had gone).

Instead I read. Voraciously. And each time I picked up a new book, it seemed to be written just for me.

'Yet now I read those entries and feel nothing. I am increasingly afflicted by vertigo when words mean nothing. Words mean nothing. They have become, when I think, not the form into which experience is shaped, but a series of meaningless sounds, like nursery talk, and away to one side of experience. Or like a sound track of a film that has slipped its connection with the film. When I am thinking I have only to write a phrase like 'I walked down the street', or take a phrase from a newspaper, 'economic measures which lead to the full use of ....' and immediately the words dissolve, and my mind starts spawning images which have nothing to do with the words, so that every word I see or hear seems like a small raft bobbing about on an enormous sea of images. So I can't write any longer'.

Excerpt from The Golden Notebook by Doris Lessing.


Painting above:
A few steps to the water, Sanna Bay, Ardnamurchan, Scotland.
Paintings of Scotland by Melanie McDonald, click for details.
Related Posts Plugin for WordPress, Blogger...